Work
GROUP SHOW SUMMER 2023, Galerie JEANCLAUDEMAIER, Frankfurt am Main 2023
LATENCIES, Galerie JEANCLAUDEMAIER, Frankfurt am Main 2023
The ANLAGE, wava.ar, Frankfurt am Main 2022
Stranger To..., Platforms Project, Athens, Greece 2022
DIGITAL DADAISM – S2/E1, Temporary Gallery, Cologne 2022
JUNGE KUNST WAGEN! 50 Jahre 1822-Forum, Kunstverein Familie Montez, Frankfurt am Main 2022
GROTTO, Kunstbalkon e.V., Kassel & on Voxels.com 2022
MISA.ART POP-UP, misa.art, Berlin 2022
Gateway to the Metaverse, House of Wisdom, Sharjah, UAE 2022
Token 01–10, Art Cologne, for provinz.digital by Provinz Editionen 2021
Entangled Broadcast, Exhibition and Talk at EULENGASSE Frankfurt am Main and on Cryptovoxels 2021
Printing Blocks, Art Cologne, for provinz.digital by Provinz Editionen 2021
Global Art Exhibition, K11 MUSEA, Hong Kong 2021
Line and Surface, 1822-Forum, Frankfurt am Main 2019
Positionen 2018, Designhaus, Darmstadt 2018
DIGITALRÄUME, Ausstellungsraum EULENGASSE, Frankfurt am Main 2018
UNLIKE MYSTAKES, AAC, Frankfurt am Main 2017
Minimalists of the Future, c/o Studio, Frankfurt am Main 2016
De-Signs, DaSpace, Frankfurt am Main 2014
Inside Handbuch Beautykreis, after the butcher, Berlin 2011
Wer von diesen Sieben, Kunstverein Braunschweig e.V., Braunschweig 2005
Everything in Particular, ACME, Los Angeles 2005
The Savoy, Collective Gallery, Edinburgh 2004
Urban Mythologies, Kunstverein Friedberg e.V., Friedberg (Hessen) 2002
Lectures
WEB 3.0 (NFTs and Metaverses) 2022
Lecturer
Hochschule Darmstadt University of Applied Sciences, Darmstadt
NFTs for Artists 2022
Workshop
FAB, Festival of Animation Berlin
A room about nothing – In the Rabbit Hole of the NFTs 2022
Masterclass
FAB, Festival of Animation Berlin
The old and the new art world 2022
House of Wisdom
Sharjah, UAE
Non-Fungible Tokens und digitale Kunst 2022
(Creator's communities, WEB 3.0 und DAOs)
Mainz Crypto Community, Virtual
Rare Pizzas in Cryptovoxels 2022
Keynote lecture, Virtual
h_da, Hochschule Darmstadt, University of Applied Sciences
Entangled Broadcast 2021
Ausstellungsraum EULENGASSE Frankfurt a. M.
Cryptovoxels - Livestream
Work
GROUP SHOW SUMMER 2023, Galerie JEANCLAUDEMAIER, Frankfurt am Main 2023
LATENCIES, Galerie JEANCLAUDEMAIER, Frankfurt am Main 2023
The ANLAGE, wava.ar, Frankfurt am Main 2022
Stranger To..., Platforms Project, Athens, Greece 2022
DIGITAL DADAISM – S2/E1, Temporary Gallery, Cologne 2022
JUNGE KUNST WAGEN! 50 Jahre 1822-Forum, Kunstverein Familie Montez, Frankfurt am Main 2022
GROTTO, Kunstbalkon e.V., Kassel & on Voxels.com 2022
MISA.ART POP-UP, misa.art, Berlin 2022
Gateway to the Metaverse, House of Wisdom, Sharjah, UAE 2022
Token 01–10, Art Cologne, for provinz.digital by Provinz Editionen 2021
Entangled Broadcast, Exhibition and Talk at EULENGASSE Frankfurt am Main and on Cryptovoxels 2021
Printing Blocks, Art Cologne, for provinz.digital by Provinz Editionen 2021
Global Art Exhibition, K11 MUSEA, Hong Kong 2021
Line and Surface, 1822-Forum, Frankfurt am Main 2019
Positionen 2018, Designhaus, Darmstadt 2018
DIGITALRÄUME, Ausstellungsraum EULENGASSE, Frankfurt am Main 2018
UNLIKE MYSTAKES, AAC, Frankfurt am Main 2017
Minimalists of the Future, c/o Studio, Frankfurt am Main 2016
De-Signs, DaSpace, Frankfurt am Main 2014
Inside Handbuch Beautykreis, after the butcher, Berlin 2011
Wer von diesen Sieben, Kunstverein Braunschweig e.V., Braunschweig 2005
Everything in Particular, ACME, Los Angeles 2005
The Savoy, Collective Gallery, Edinburgh 2004
Urban Mythologies, Kunstverein Friedberg e.V., Friedberg (Hessen) 2002
Lectures
WEB 3.0 (NFTs and Metaverses) 2022
Lecturer
Hochschule Darmstadt University of Applied Sciences, Darmstadt
NFTs for Artists 2022
Workshop
FAB, Festival of Animation Berlin
A room about nothing – In the Rabbit Hole of the NFTs 2022
Masterclass
FAB, Festival of Animation Berlin
The old and the new art world 2022
House of Wisdom
Sharjah, UAE
Non-Fungible Tokens und digitale Kunst 2022
(Creator's communities, WEB 3.0 und DAOs)
Mainz Crypto Community, Virtual
Rare Pizzas in Cryptovoxels 2022
Keynote lecture, Virtual
h_da, Hochschule Darmstadt, University of Applied Sciences
Entangled Broadcast 2021
Ausstellungsraum EULENGASSE Frankfurt a. M.
Cryptovoxels - Livestream
Paper and Stele, The ANLAGE, wava.ar 2019-2022
Two Digital Sculptures as part of the show "The ANLAGE".
Inverted surface flipped inside out. A crumpled piece of paper holding a text by Czech philosopher Vilém Flusser – “Farewell to reality”. The two sculptures of Florian Adolph are made of specific and contrasting materiality: the sleek, reflective surface of Stele, and the scanned, reproduced edginess of Papier.
In the middle of the Gallus-Anlage, amongst the many physical outdoor artworks of the city of Frankfurt, the two sculptures offer a new interpretation of public art. A virtual monument which is at the same time grounded and fleeting, mundane and extravagant.
MISA.ART POP-UP, misa.art, Berlin 2022
3 virtual sculptures, (AR-NFT-Drop) during Gallery Weekend Berlin 2022
"A shell, a branch, a ring. Or are they? I ask myself and wonder how they feel when touched. Soft like styrofoam or cold like porcelain. Do they float or sink, break or bounce? Like Ludwig Wittgenstein's duck-rabbit, I can only imagine one possibility at a time. My mind is inevitably stuck in a spacio-temporal physical prison, not free to roam the hybrid worlds of conflicting possibilities like those inhabited by Florian Adolph’s digital sculptures. But are they truly free? In the end, they also need a surface on which to manifest themselves. They are but instructions that manifest themselves whenever summoned to the surface of our screens—a line of code, and nothing more.
Like many of the works in the artist’s oeuvre, these sculptures exist in hard to define spaces between the virtual and the physical, between the hand made and the mechanical. They are digital renderings, of course, yet they feel handmade. And they are, in a way. A hand is still controlling a device that navigates between code-lines and display-pixels. And it’s a painter’s hand, no doubt. I look at them idly spin on their axis, displaying themselves like the objects they are. I imagine they were found in a cave, a deep underground cave in a —verse, one of the sprawling —verses, maybe even ours. Fantastic post-archaeological treasures that shine in their unspectacularly. A shell, a branch, a ring. Merely this, and nothing more.
For me, they float. They get carried away by the streams like coconuts from island to island. You can find them on the beach amongst the tidewrack. Perhaps they grow roots when they reach the sands, slowly getting bleached by the scorching sun. Or perhaps they stay as they are, like pyroplastic, defiant of all the eroding powers around them. I pick up the shell and put it up against my ear. I hear the sound. Whoosh, whoosh, whoosh. Tis the wind, and nothing more."
Ben_Livne-Weitzman
Line and Surface, 1822-Forum, Frankfurt am Main 2019
"Florian Adolph approaches the digital from the familiar via a graphic motivic language and at the same time opens up new base stations in the digital, in the middle of the actually unknown. (...) His works are representational and at the same time they are not. They appear to be non-concrete surfaces and, at the same time, to have emerged from a historical context. They seem enigmatically empty and yet are concentrates of intensive examination. (...) Such openness proves to be consistent with Florian Adolph even when it comes to the artistic original: 'The question is probably not which stage of several is the original, but whether there is still an original at all'."
Daniel_Scheffel
Gateway to the Metaverse, House of Wisdom, Sharjah, UAE 2022
Sharjah: The House of Wisdom, an iconic futuristic and cultural hub that is under Sharjah Investment and Development Authority (Shurooq), is hosting the first non-fungible tokens (NFT) art exhibition in Sharjah to bridge the gap between traditional and digital art worlds and introduce visitors and the art community to the new wave of creativity that is transforming the art landscape worldwide.
Printing Blocks, Art Cologne, for provinz.digital by Provinz Editionen 2021
The owners of these physical prints will receive the respective, corresponding NFTs as a digital original via provinz.digital; we will also publish ten unique NFT “PrintingBlocks” on the Ethereum and WAX blockchains. Each “PrintingBlock” will automatically generate one new unique digital print per month for a year from January 1st, 2022.
The Print NFTs will be unique, based on the style of their Printing Block.
Entangled Broadcast, Exhibition and Talk at EULENGASSE Frankfurt am Main and on Cryptovoxels 2021
Florian Adolph turns EULENGASSE into a virtual studio and digital broadcasting station. For this purpose he organizes an exhibition and a broadcast. (...) Accompanying this, a broadcast will be sent from the exhibition space, in the context of which talks will take place with internationally connected guests from the fields of Blockchain and Crypto-Art.
10 hand-coloured prints exclusive for Provinz 2021
600€ unframed / 720€ framed
Printed on Archival Fine Art Print and Gouache on Hahnemühle paper
Each print is a unique piece, signed, 23,6 x 23,6 inch
In addition to the physical unique print, the aquirer gets an additional unique NFT of the same work.
10 hand-coloured prints exclusive for Provinz 2021
600€ unframed / 720€ framed
Printed on Archival Fine Art Print and Gouache on Hahnemühle paper
Each print is a unique piece, signed, 23,6 x 23,6 inch
In addition to the physical unique print, the aquirer gets an additional unique NFT of the same work.
LATENCIES
Galerie JEANCLAUDEMAIER,
Frankfurt am Main 2023
During a transformative train journey, Sigmund Freud encountered the elusive grip of the uncanny. As the cabin door abruptly closed, his own reflection took on an eerie demeanour, distorting the familiar and beckoning the strange. A profound mix of fascination and unease enveloped him. This enigmatic interplay between self and reflection, close and known yet detached and odd, forever altered Freud's theories and our understanding of the human mind—the uncanny dwells on the edges of our consciousness, where the familiar morphs into unsettling strangeness. Or perhaps the familiar was always strange, and we merely pretended otherwise.
Florian Adolph's exhibition LATENCIES delves into the poetic exploration of the eerie, the inexplicable, and the disconcerting. Adolph's works seamlessly shift between physical and digital, blurring the perhaps already extraneous boundaries of the virtual and the real. Delving into the depths of what Carl Jung would call a collective unconscious, the shared reservoir of archetypes and symbols that transcend individual experiences, now manifesting itself through “artificially-intelligent” generative processes, "LATENCIES" becomes a fusion of Adolph's creative methods and such learning algorithms. In the realms in which machines learn, the uncanny assumes new forms as the cabin’s window becomes a screen and the spectres are computer-generated.
Within the twilight of an almost-familiar space, synthetic beings and surfaces reside. As we grapple with AI's attempt to bridge the chasm of consciousness, we confront our deepest fears and existential pondering. Can we truly differentiate between the real and the artificial, or should we abandon such attempts altogether? Are these beings mere reflections, echoes of our humanity, or do they possess an otherworldly essence, evoking fascination and dread with their vaguely defined hands? In "LATENCIES," there is no mere angst but a passionate attempt to chart new imaginations and forms of collaboration. With a diverse array of works from the last two years, Adolph opens a processual liminal space where uncanny glitches emerge and are celebrated for what they are: sweet dreams or beautiful nightmares.
LATENCIES
Galerie JEANCLAUDEMAIER,
Frankfurt am Main 2023
During a transformative train journey, Sigmund Freud encountered the elusive grip of the uncanny. As the cabin door abruptly closed, his own reflection took on an eerie demeanour, distorting the familiar and beckoning the strange. A profound mix of fascination and unease enveloped him. This enigmatic interplay between self and reflection, close and known yet detached and odd, forever altered Freud's theories and our understanding of the human mind—the uncanny dwells on the edges of our consciousness, where the familiar morphs into unsettling strangeness. Or perhaps the familiar was always strange, and we merely pretended otherwise.
Florian Adolph's exhibition LATENCIES delves into the poetic exploration of the eerie, the inexplicable, and the disconcerting. Adolph's works seamlessly shift between physical and digital, blurring the perhaps already extraneous boundaries of the virtual and the real. Delving into the depths of what Carl Jung would call a collective unconscious, the shared reservoir of archetypes and symbols that transcend individual experiences, now manifesting itself through “artificially-intelligent” generative processes, "LATENCIES" becomes a fusion of Adolph's creative methods and such learning algorithms. In the realms in which machines learn, the uncanny assumes new forms as the cabin’s window becomes a screen and the spectres are computer-generated.
Within the twilight of an almost-familiar space, synthetic beings and surfaces reside. As we grapple with AI's attempt to bridge the chasm of consciousness, we confront our deepest fears and existential pondering. Can we truly differentiate between the real and the artificial, or should we abandon such attempts altogether? Are these beings mere reflections, echoes of our humanity, or do they possess an otherworldly essence, evoking fascination and dread with their vaguely defined hands? In "LATENCIES," there is no mere angst but a passionate attempt to chart new imaginations and forms of collaboration. With a diverse array of works from the last two years, Adolph opens a processual liminal space where uncanny glitches emerge and are celebrated for what they are: sweet dreams or beautiful nightmares.